Mistress Sidonia's Femdom Blog

The Birth of The Fetish Scene
Or How a Glove Puppet Rat Started It All

The bastard child of the Marquis de Sade had a difficult labour – taking, appropriately, 169 years from his death to 1983, when the hand of a very famous TV glove puppet rat, set the modern UK fetish scene in motion.

Meet The Rat
In the neon-drenched London club scene of the early 1980s, amid the dying embers of punk and the rise of New Romantic excess, a most unlikely figure helped De Sade birth the modern fetish underground – a cheeky, glove-puppet rat named Roland Rat. Yes, Roland Rat the wisecracking TV rodent who, voiced and operated by actor David Claridge, stormed breakfast television and saved a struggling TV-AM – ITV’s new breakfast telly show. (For younger readers – Roland Rat was an absolute superstar on British TV back then! Not just TV-AM, he has his own TV Show and even a Top Twenty Hit “Rat Rapping”.)

Skin Two Club, Soho
Before Roland Rat became a household name, Claridge had a very different vision for late-night London. In 1982, fresh from the Blitz Club and the New Romantic whirlwind, he and his creative partner ‘Bill’ (latex pioneer Daniel James) hatched a plan that would change the world. On Monday 31st January 1983, in a discreet basement, the original Skin Two Club opened its doors at Stallions, a gay venue in Falconberg Court, in London’s Soho – and the contemporary fetish UK scene was born.

David Claridge had already co-hosted legendary club nights. But it was a trip to a notorious New York S&M club in Manhattan that lit the spark. London needed something like this… stylish, inclusive and unapologetically fetish-forward, not the stuffy, secret raincoat-clad scene of the previous decades. The pair brainstormed names over lunch with friends, including music journalists Tony Mitchell and Bev Glick. Options included Second Skin, Skin Two, and the more obscure Under Three Layers (a nod to a cult latex film by AtomAge founder John Sutcliffe). Skin Two won out evoking the idea of latex or leather as a sleek “second skin.”

Some 80s & 90s Fetish Nostalgia

When Rubber Became Fashion
‘Bill’, a theatrical costumier, make-up artist and mask-maker, was the perfect collaborator. He had already begun experimenting with latex fashion, creating the club’s first rubber garments on the fly. The duo approached venues and found Stallions. Photographer Peter Ashworth shot the first promo images at Claridge’s flat, featuring ‘Bill’s’ girlfriend Lesley Beaumont in the very first rubber dress he’d ever made, and model Sue Scadding in a catsuit. So on that cold January evening in 1983, a small crowd descended the stairs into Stallions. The dress code was strict: rubber, leather, uniform or drag, but street clothes were strictly banned. At the opening night, AtomAge founder John Sutcliffe was the guest of honor, with his cult latex film Under Three Layers screening.

The Club That Brought Fetish Out of the Closet
The ethos at Skin Two was revolutionary for its time, openly welcoming hetero, bi, drag and queer players alike. For the first time, people from all walks of life could dress up, play, dance and express their fetishes in public. Before 1983, Britain’s fetish scene had existed almost entirely in the shadows and had a very seedy image. There were no public clubs. Connections were made only through coded personal ads in underground contact magazines, leading to very private, invitation-only house parties or tiny word-of-mouth gatherings held in complete secrecy.  This was different. This wasn’t a seedy backroom or a secretive society meeting. It was a cool, creative space where pop stars rubbed shoulders with housewives, models, artists, and clubbers. Fetish was celebrated – and fashion movement was beginning. 

Rat’s Dirty Night Out: Tabloid Exposé
Claridge’s double life couldn’t last forever. As Roland Rat exploded in popularity on TV-AM, complete with his cheeky catchphrases and tabloid appeal, the British gutter press eventually got wind of his night-time activities. When the connection between the wholesome children’s TV puppet and Soho’s fetish basement made headlines, Claridge had to step away. His involvement became a quirky footnote in fetish lore, one that many dismissed as urban myth until the full story resurfaced in recent retrospectives.

Maîtresse Club
After David Claridge had to step away, the Monday night event at Stallions continued without him under new management for a few events, but the original Skin Two wound down. The club immediately reopened under the new name Maîtresse in the same venue Stallions, on the same night (Mondays). It kept the same strict dress code and attracted a similar creative, mixed crowd. This name change happened fairly soon after the original launch (late 1983 or early 1984). Another notable connection was Jacquie O’Sullivan, the replacement member of Bananarama. She has openly declared that she helped run the legendary Maîtresse club.

Skin Two Magazine
The switch freed up the name ‘Skin Two’, which was then used by Tim Woodward and Grace Lau when they launched the now famous Skin Two Magazine in 1984 (initially as a small fanzine) to document and expand the scene. 

The First 3 Issues of Skin Two Magaine

From Soho Basement to Global Fetish Empire… Thanks to a Rat!And what began as a one-night-a-week experiment in a Soho basement grew into a global phenomenon: The Rubber Ball, international fetish clubs, latex couture, thriving mail-order businesses, and an entire subculture that reshaped fashion, art and sexual expression. The modern fetish scene owes its vibrant, inclusive roots to two ambitious ’80s clubbers… and one very famous glove-puppet rat. Who would have thought that a cheeky rodent with a gloved hand up its backside would help usher in an era of sexual freedom, creative expression, and second-skin glamour. David Claridge may have had to hang up his organiser hat when Roland took centre stage, but the club he co-founded with Daniel James proved far more enduring than any TV puppet. It showed the world that fetish wasn’t fringe or forbidden – it was fabulous, and it was here to stay.